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Practice & BusinessModule 3.3~4 min read

Image Preparation for Engraving

A great laser engrave starts with image prep, not laser settings. Spend 5 minutes adjusting levels and sharpening; save hours of failed test pieces. The same workflow applies to wood, metal, slate, and tile photos across fiber, CO2, and diode.

The universal image-prep workflow

  1. Source quality: 600+ DPI at final size. A 6×8" portrait needs ~3600×4800 pixels.
  2. Convert to grayscale.
  3. Crop to final aspect ratio. Don't let Lightburn distort.
  4. Levels adjustment. Drag black point and white point inward to anchor pure 0 and pure 255.
  5. Brightness / contrast. Bump contrast +20 typical.
  6. Curves adjustment for substrate (lighten midtones for wood; darken midtones for tile).
  7. Unsharp mask. Radius 2-3px, amount 50-80%.
  8. Dehaze if outdoor / fog photo. Photoshop has this; GIMP needs a script-fu equivalent.
  9. Save as PNG at the final laser size and resolution.

The substrate-specific tweaks

SubstrateAdjustmentWhy
Maple, basswoodLighten midtonesWood burns dark fast, need lighter midtones to preserve highlights.
Cherry, walnutLighten midtones + boost contrastAlready-dark substrate; need extra contrast for highlights to read.
SlateDarken midtonesLight areas need to fully ablate the paint to read white.
Norton white tileDarken midtones + boost contrastSame as slate, need full ablation in light areas.
Stainless steelStandard levels, no special tweakEven tonal response.
Anodized aluminumStandard levelsWhite-on-color contrast is naturally high.
Veg-tanned leatherLighten midtones slightlyLeather burns dark; preserve light tones.

Levels: the most-impactful single step

Open in Photoshop / GIMP / Affinity → Levels (Ctrl+L in Photoshop):

  1. Look at the histogram. Pure black should reach the left edge; pure white should reach the right edge.
  2. If histogram has a gap on the left, drag the black point slider RIGHT to where data starts.
  3. If histogram has a gap on the right, drag the white point slider LEFT to where data ends.
  4. This stretches your tonal range to use the FULL 0-255 spectrum.
  5. Adjust the middle (gamma) slider to brighten or darken midtones for the substrate.

Unsharp mask: make detail pop

Unsharp mask increases edge contrast, sharpens the image without over-processing:

  • Radius: 1-3 pixels for most photos. Higher = larger halo around edges.
  • Amount: 50-100% typical. Higher = more aggressive sharpening.
  • Threshold: 0-3 typical. Lower = more aggressive (sharpens noise too); higher = only sharpens larger features.
  • Goal: face/eyes/details look crisp without "halo" outlines around features.
THRESHOLDsource imagewhat the laser burnslaser fully on or fully offEvery pixel is forced to burned oruntouched. Best for logos and text.DITHER · JARVIS, STUCKIsource imagewhat the laser burnsstill on or off, but in dotsDot density fakes the grays, so itworks on any material. Best for photos.GRAYSCALEsource imagewhat the laser burnspower changes pixel by pixelTrue shading, but only on materialsthat darken evenly with power.
A laser burns or it does not, so photos need a trick. Threshold gives up on grays, dithering fakes them with dot density, and Grayscale changes the power itself.

Dither selection per substrate

SubstrateBest dither
Maple, basswood (light wood)Stucki, smoothest gradients
Cherry, walnutStucki or Atkinson
SlateJarvis, smoothest contrast
Veg-tanned leatherStucki, tactile gradient
Norton white tileJarvis, community standard
Stainless steel (fiber)Jarvis or Stucki
Anodized aluminumJarvis
Acrylic frostedAtkinson, light touch

The DPI / resolution rule

SubstrateTypical DPIEquivalent interval
Wood photos (general)318 DPI0.08 mm
Slate, Norton tile423 DPI0.06 mm
Leather318 DPI0.08 mm
Photo on metal (fiber)1016 DPI0.025 mm
Coin relief (fiber)3175 DPI0.008 mm

Higher DPI = finer detail BUT longer engrave time + more potential for char buildup. Match DPI to viewing distance.

The 30×30mm corner test

Before running a full image, ALWAYS engrave a 30×30mm corner test:

  • Verify contrast envelope (no fully-black blobs, no fully-white voids).
  • Verify dither pattern reads cleanly.
  • Verify skin tones look natural.
  • Verify total time multiplier matches the full piece.

If the test is wrong, adjust source levels OR change dither. Run another test before the full piece.

Common image-prep mistakes

  • Source too low resolution. Re-shoot or upscale carefully (Topaz Gigapixel works well for upscaling photos).
  • JPEG compression artifacts. Always start from PNG/TIFF if possible. JPEG halos engrave visibly.
  • Levels not stretched. Engrave looks muddy because tonal range is compressed.
  • No unsharp mask. Engrave looks soft / out of focus.
  • Color image not converted to grayscale. Some lasers handle RGB but most strip color anyway; convert deliberately.
  • Resizing AFTER processing. Always do levels + sharpen at the FINAL size to preserve detail.

Lightburn's Adjust Image tool

Right-click any image in Lightburn → Adjust Image. Non-destructive overlay tuning:

  • Brightness / Contrast / Gamma
  • Sharpen / Unsharp Mask
  • Material presets per substrate

Save these adjustments with the project. Re-open later and they persist.

The 5-minute investment
Levels (1 min) + curves (1 min) + unsharp mask (1 min) + corner test (2 min). Total: 5 minutes. Skipping these and just running the source image accounts for ~40% of "why does my engrave look bad" support questions.