Physics in Plain English
Five concepts the rest of the course assumes you know. Five minutes of physics that turns settings recipes into something you can reason about.
1. Wavelength = what materials absorb the beam
Light at different wavelengths is absorbed by different materials. This is the single biggest reason fiber lasers and CO2 lasers do different jobs.
| Laser | Wavelength | Absorbs strongly in | Reflects off |
|---|---|---|---|
| Fiber | 1064 nm (near-IR) | Metals (most), some plastics, some coatings | Wood, paper, glass, untreated polymer |
| CO2 | 10,600 nm (far-IR) | Wood, acrylic, leather, paper, fabric, glass | Bare metal (highly reflective) |
| Diode (blue) | 405-455 nm (visible) | Dark surfaces (visible-light absorbers) | Reflective metals, light/clear materials |
Why metals love 1064nm: free electrons in metals absorb infrared photons efficiently. Why wood loves 10,600nm: organic C-H and O-H bonds resonate at far-IR. The wavelength chooses the material category, not the other way around.
2. Average power vs peak power
A laser's wattage rating is its average power, the energy delivered per second on average. But a pulsed fiber or RF-tube CO2 laser doesn't fire continuously; it fires pulses. The energy per pulse, and the peak power within each pulse, can be MUCH higher than the rated average.
- Average power: total watts over time. Drives long-term heat input.
- Peak power: wattage during the brief moment a pulse is firing. Drives the actual ablation work.
- For a 60W MOPA at 50 kHz with 200 ns pulses: peak power can reach 6,000 W per pulse (100× the average). That's why fiber lasers cut metal that average-power-equivalent CO2 wouldn't touch.
Practical implication: lower frequency = fewer pulses per second = same average power concentrated into fewer, more powerful pulses. That's why deep engraving uses low frequencies.
3. Beam quality (M²): why some lasers cut cleaner
M² ("M-squared") measures how close your beam is to a perfect Gaussian focus. M² = 1.0 is perfect (theoretical limit). Real-world fiber MOPA sources are M² = 1.1 to 1.5. CO2 metal-tube sources are M² = 1.2 to 1.8. Cheaper glass-tube CO2 can run M² = 3 or higher.
- Lower M² = smaller focused spot = higher power density at focus = cleaner cuts.
- This is why a "30W" RF metal-tube CO2 cuts better than a "60W" glass-tube CO2, the metal tube has half the M².
- Your JPT 60W MOPA is M² ~1.3, premium beam quality, why it color-anneals so well.
4. Power density (fluence): the actual work metric
Power density = power delivered per unit area, measured in watts per cm² or J/cm² (joules per cm²). This is what determines whether the surface ablates, melts, or just heats.
Spot size matters more than total power: a 30W laser focused to a 20 µm spot delivers higher power density than a 60W laser focused to a 60 µm spot, even though one has half the total power. Spot area scales with the SQUARE of spot diameter, so halving spot diameter quadruples power density.
Practical implications:
- Switching from 150mm to 70mm lens roughly quadruples power density at focus → drop power 30-40%.
- Defocusing spreads the beam → drops power density → you can use higher Lightburn power % without ablating. This is the secret behind black-on-stainless.
- "Why won't 60W cut metal?", average power is fine, but at the spot size of a 70mm lens you don't reach the fluence threshold for cutting steel. You'd need a kilowatt fiber.
5. The four ablation regimes
What happens to the metal under the beam depends entirely on power density × dwell time. Four distinct regimes:
| Regime | Power density × dwell | Effect | Example |
|---|---|---|---|
| Surface heating | low × long | Oxide layer growth, no material removal | Color anneal on stainless |
| Surface ablation | moderate × short | Thin top layer evaporated, sub-surface untouched | Anodize dye removal, photo on metal |
| Bulk ablation | high × moderate | Material vaporized, real depth removed | Deep engraving |
| Melting | high × long | Material liquefies and flows; messy walls | What you DON'T want, slag, splatter |
Frequency, pulse width, power, and speed are all just knobs that move you between these four regimes. Once you see them this way, settings stop feeling arbitrary.